Ars Informatica reconfigures divination as a process of data reduction. Derived from photographs of paintings that were translated into text and stripped of all repeated characters, each sigil emerges from an act of algorithmic subtraction. The resulting forms function as symbolic residues; part code, part glyph, part talisman. Drawing parallels between historical systems of divination and contemporary regimes of information processing, the work proposes a speculative tarot for an age defined by compression, recursion, entropy and networked meaning. Here, revelation no longer emerges from mythic archetypes but from the hidden operations of data itself.
